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PORTRAIT IN A CONVEX MIRROR ( for John Ashbury )2017, gesso, acrylic, polymer resin on canvas, 44" x 72",  commissioned Private Collection, NY

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PORTRAIT IN A CONVEX MIRROR, Detail

 
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NOTE TO SELF 2017, gesso, acrylic, polymer resin on canvas, 44" x 72"

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NOTE TO SELF, Detail, 30"x 20"

 
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REAR WINDOW, 2018, acrylic and oil on canvas, 55” x 47”
Exhibited: Group show “Summertime” Tibor de Nagy Gallery, NY, 2018

 
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Tripping On The Great Wall, 2017, acrylic on canvas, 72" x 42"  Private collection, NY

 

TIPPING POINT, Everyone Has Desires, 2016-17, polymer resin, acrylic on canvas, 62" x 48"

 
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NOISEY CONTEMPLATION 2018, heavy body acrylic and polymer on canvas, 47" x 40"

 
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SOLSTICE, 2018, acrylic and polymer on canvas, 62" x 48"

 

  RISE -UP , 2015-16, oil, acrylic, and polymer on canvas, 74" x 64"

 

BUDDHA, (Front And Center)  2016-17, acrylic, polymer resin on canvas, 36" x 30"

 
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THE IDEA OF MIDNIGHT SUN, 2018, acrylic on canvas, 24" x 24"

 
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TITLE COMING SOON, 2018, acrylic on canvas, 24” x 24”

 
 

VEILED HEAT COLD SNAP  2014-16, oil, acrylic, metallic pigment, polymer resin on canvas, 62" x 73"

 

SHOOT THE BLUES THINK BACK INTO THE OCEAN

  Exhibited: A Concentrated Gaze, 1285 Avenue of the Americas Art Gallery UBS , 1285 6th Ave, NYC, April 11-July 1, 2016

 
 

MERCURY, 2016-17, oil, acrylic, polymer resin , silver and pearl pigment on canvas, 62" x 62"

 

SPIRIT MATERIAL( Shelley Rowing Home To Mary) 2015-17, oil, acrylic, heavy body polymer, pearlescent pigment on canvas, 62" x 62"

 
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PARALLAX, 2018, oil, acrylic, pearl and silver pigments , resin on canvas, 49" x 48"

 

WET ANGEL 2012, oil, acrylic, polymer resin, mica on canvas, 60" x 46 "
 Private Collection. NY
NY ART BEAT, LINK
THE HUDSON REVIEW, LINK

 

Installation, solo exhibition,  Quick Mettle Rich Blood , Allegra LaViola Gallery NY,  

 

SHOOT THE BLUES THINK BACK INTO THE OCEAN,  2012-2016, oil, acrylic, resin, mica, iridescent pigment/ canvas, 68" x 58"

 

FARTHER OUT, 2012, oil, acrylic, mica, polymer resin on canvas, 62" x 62"

 

"Verbal attempts to describe Slone's opulent metaphysical paintings, enriched with sweeping sumptuous textures in blazing colors, cannot ever hope to do justice to their sheer grandeur."
— Gigi Kracht, pgs. 62-66, VIEWS Magazine, 2012

 

JOY WHISPER, 2012, oil, acrylic,polymer resin, micaa on canvas, 36" x 36"
Catalogue Essay, Hallucinatory Splendor, LINK

 

VULCAN LOVE , 2012, oil, acrylic, polymer, mica tar/ canvas, 46" x 43", Private Collection, New York

 

MADAME BLAVATSKY , 2011, oil, acrylic, mica, resin on canvas, 62" x 62"
"Sandi Slone continues her passionate affair with paint's kinetic, sensuous, qualities revisiting some of the unusual processes she developed ..."
—Stephanie Snyder, ARTFORUM.com, December 2010

 
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MARS VIOLET acrylic, mica,  resin on  canvas, 43 x 63"

 
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CASCADE, 2013, acrylic and molding paste on canvas, 33” X 66”

 

WORLDS APART, 2014, oil & acrylic on canvas, 40" x 57", exhibited, The Lonely See And The Sky, NY, 2014, Private Collection, New York

 
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FOR ALL THAT, 2014, acrylic & polymer resin on canvas, 48" X 62"

 
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  TOUCHSTONE , 2012-2018, acrylic on canvas, 28" x 22"

 

RED LETTER DAY (The Aleph), Painting 101, Sargent's Daughters, NY, 2014

 "Sandi Slone’s Red Letter Day is awash with symbols, and seems more like the cave walls of Lascaux or Le Chauvet. Her paintings are an accretion of visual ideas over time. From the upper right hand corner we read a bright red aleph-like shape, but this visual key presides over a cascade of less discernable but still interpretable signs.  Black circles, boxes and ladders fall away from the aleph into a rosy and grey miasma. Eros (2009) uses a similar figure ground typology, a single brushstroke with six dangling pods looms over a washy fade from light blue to yellow, like some forgotten gesture to call up a goddess."  - Artcritical.com

 

 
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The NEW YORK TIMES,  January 20, 2014, staff photographer: Nicole Bengiveno.  Red Letter Day (The Aleph) 76” x 60” exhibited: Painting 101Sargent's Daughters, New York, NY, 2013 , Material Way, Fiterman Art Center, BMCC-CUNY, New York, NY, 2014, Art In Buildings, Love Apple Art Space, Ghent, NY, 2018
Review; ARTCRITICALLINK,

 
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RED LETTER DAY  (The Aleph ) 2013, oil, acrylic, polymer on canvas, 76" x 60"
Exhibited : Art In Buildings, 2018, Love Apple Art Space, Ghent, NY, 2018

 
 

FROM ALL SIDES, 2013, oil, acrylic, polymer resin on canvas, 20" x 20" 

Featured, SCENE MAGAZINE, LINK

 

OBJECT OF ILLUSION (In Praise Of Shadows), 2014, oil, acrylic on canvas, 20" x 20"

 

PORTRAIT OF MRS. BOIT'S POLKA DOT DRESS, 2014, acrylic, gesso, polymer/canvas, 20" x 20"
Exhibited: 40 Female Artists Explore The Legacy of John Singer Sargent, Sargent's Daughters Gallery, New York, 2014, 

 

INSOMNIA (for Louise Bourgeois)  2013, acrylic, molding paste on canvas, 18" x 14"

 

WHITE ON THE MAP, 2013, acrylic, molding paste on canvas, 24" x 20", exhibited: Painting 101, Sargent's Daughters, 2014
Featured in INTERVIEW MAGAZINE, LINK

 

Blue Holds Red, (LUMEN)  18" x14", acrylic, polymers, on canvas, 2017

 

MIDNIGHT RIVER, 28" x 22", oil, acrylic /canvas exhibited Lower Manhattan Cultural Council 2017,  Private Collection, NY

 

ELYSIUM, 2012, 20" x 16", acrylic on canvas

 
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THE IDEA OF THE SEA, 2014, acrylic polymer on canvas, 30" x 36", private collection New York

 
 
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SPIRIT MATERIAL, 2012, oil, iridescent acrylic,  pearl pigment, polymer resin on canvas, 49" x 62", Private collection, NY

 
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