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PORTRAIT IN A CONVEX MIRROR ( John Ashbury )2017, gesso, acrylic, polymer resin on canvas, 44" x 72", Private Collection, NY

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PORTRAIT IN A CONVEX MIRROR, Detail

 
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NOTE TO SELF 2017, gesso, acrylic, polymer resin on canvas, 44" x 72"

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NOTE TO SELF, Detail, 30"x 20"

 
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Tripping On The Great Wall, 2017, (Ming) acrylic on canvas, 72" x 42"  Private collection, NY

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Tripping On The Great Wall, (MING ) Detail, 2017

 

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TIPPING POINT, Everyone Has Desires, 2016-17, polymer resin, acrylic on canvas, 62" x 48"

 

  RISE -UP ( The Idea Of Order, Wallace Stevens)  2015-16, oil, acrylic, and polymer on canvas, 74" x 64"

 

Buddha, Front And Center 2016-17, acrylic, polymer resin on canvas, 36" x 30"

 

SHOOT THE BLUES THINK BACK INTO THE OCEAN

  Exhibit: A Concentrated Gaze, 1285 Avenue of the Americas Art Gallery UBS , 1285 6th Ave, NYC, April 11-July 1, 2016

 

PORTAL 2016, oil, acrylic, heavy body gel medium, liquid polymer, pearlescent pigment on canvas, 47" x 40"

 
 

MERCURY, 2016-17, oil, acrylic, polymer resin , silver and pearl pigment on canvas, 62" x 62"

 

SPIRIT MATERIAL( Shelley Rowing Home To Mary) 2015-17, oil, acrylic, heavy body polymer, pearlescent pigment on canvas, 62" x 62"

 
 

VEILED HEAT COLD SNAP  2014-16, oil, acrylic, metallic pigment, polymer resin on canvas, 62" x 73"

 

WET ANGEL 2012, oil, acrylic, polymer resin, mica on canvas, 60" x 46 "
 Private Collection. NY
NY ART BEAT, LINK
THE HUDSON REVIEW, LINK

 

Installation, solo exhibition,  Quick Mettle Rich Blood ,Allegra LaViola Gallery NY,  

 

SHOOT THE BLUES THINK BACK INTO THE OCEAN,  2012-2016, oil, acrylic, resin, mica, iridescent pigment/ canvas, 68" x 58"

 

FARTHER OUT, 2012, oil, acrylic, mica, polymer resin on canvas, 62" x 62"

 

"Verbal attempts to describe Slone's opulent metaphysical paintings, enriched with sweeping sumptuous textures in blazing colors, cannot ever hope to do justice to their sheer grandeur."
— Gigi Kracht, pgs. 62-66, VIEWS Magazine, 2012

 
 

JOY WHISPER, 2012, oil, acrylic,polymer resin, micaa on canvas, 36" x 36"
Catalogue Essay, Hallucinatory Splendor, LINK

 

VULCAN LOVE (Forgetful Heart), 2012, oil, acrylic, polymer, mica on canvas, 46" x 43", Private Collection, New York,NY

 

MADAME CURIE , 2011, oil, acrylic, mica, resin on canvas, 62" x 62"
"Sandi Slone continues her passionate affair with paint's kinetic, sensuous, qualities revisiting some of the unusual processes she developed ..."
—Stephanie Snyder, ARTFORUM.com, December 2010

 
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MARS VIOLET forgetful heart, acrylic, mica,  resin on  canvas, 43 x 63"

 

SEX WITH STRANGERS, 2012, oil, acrylic, polymer on canvas, 40" x 30", Private Collection, New York

 

SPARKS FROM WHITMAN'S WHEEL, 2012, oil, acrylic, sparkles on canvas, 28"x 22", Private Collection, NY

 

WORLDS APART, 2014, oil & acrylic on canvas, 40" x 57", exhibited, The Lonely See And The Sky, NY, 2014, Private Collection, New York

 
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FOR ALL THAT, 2014, acrylic & polymer resin on canvas, 48" X 62", exhibited in The Lonely Sea And The Sky, Allegra LaViola Gallery,NY

 
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  TOUCH , acrylic on canvas, 28" x 22"

 
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RED LETTER DAY  (The Aleph ) 2013, oil, acrylic, polymer on canvas, 76" x 60"

Exhibited  Painting 101Sargent's Daughters, New York, NY, 2013 and in Material Way, Fiterman Art Center, BMCC-CUNY, New York, 2014
Review; ARTCRITICAL, LINK

 

RED LETTER DAY (The Aleph), Painting 101, Sargent's Daughters, NY, 2014

 "Sandi Slone’s Red Letter Day is awash with symbols, and seems more like the cave walls of Lascaux or Le Chauvet. Her paintings are an accretion of visual ideas over time. From the upper right hand corner we read a bright red aleph-like shape, but this visual key presides over a cascade of less discernable but still interpretable signs.  Black circles, boxes and ladders fall away from the aleph into a rosy and grey miasma. Eros (2009) uses a similar figure ground typology, a single brushstroke with six dangling pods looms over a washy fade from light blue to yellow, like some forgotten gesture to call up a goddess."  - Artcritical.com

 

 
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The NEW YORK TIMES January 20, 2014, staff photographer: Nicole Bengiveno 

 
 

FROM ALL SIDES, 2013, oil, acrylic, polymer resin on canvas, 20" x 20" 

Featured, SCENE MAGAZINE, LINK

 

OBJECT OF ILLUSION (In Praise Of Shadows), 2014, oil, acrylic on canvas, 20" x 20"

 

PORTRAIT OF MRS. BOIT'S POLKA DOT DRESS, 2014, acrylic, gesso, polymer/canvas, 20" x 20"
Exhibited: 40 Female Artists Explore The Legacy of John Singer Sargent, Sargent's Daughters Gallery, New York, 2014, 

 

INSOMNIA (for Louise Bourgois)  2013, acrylic, molding paste on canvas, 18" x 14"

 

WHITE ON THE MAP, 2013, acrylic, molding paste on canvas, 24" x 20"
Featured in INTERVIEW MAGAZINE, LINK

 

Blue Holds Red, (LUMEN)  18" x14", acrylic, polymers, on canvas

 
 

MIDNIGHT RIVER, 28" x 22", oil, acrylic /canvas exhibited Lower Manhattan Cultural Council 2017,  Private Collection, NY

 

ELYSIUM, 2012, 20" x 16", acrylic on canvas

 

VOSTOK (Dear Tolstoy ) oil, acrylic, polymer resin on canvas, 25" x 85", Solo Exhibit, In The Clear, 2013

 
 
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SPIRIT MATERIAL, 2012, oil, iridescent acrylic,  pearl pigment, polymer resin on canvas, 49" x 62", Private collection, NY

 

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