NEWS

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"Pivotal works that influence a younger generation of contemporary artists”

Right: SANDI SLONE, Owl Light, acrylic/oil/canvas; Left:WOLFGANG TILLMANS, inkjet print

"Contemporary Art: Five Propositions”, October, 25, 2019—May 4, 2020,

MUSEUM OF FINE ARTS BOSTON

Slone’s painting, Owl Light, held in the permanent collection of the Museum of Fine Arts Boston, is in the museum’s current exhibition celebrating the new Contemporary wing, “Contemporary Art: Five Propositions”, October 19—May 4, 2020.
Installed in the galleries of the new Linde Family Wing for Contemporary Art, the displays highlight an exciting diversity of internationally recognized artists including: El Anatsui, Lynda Benglis, Lucy Dodd, Frank Bowling, Tara Donovan, Freidel Dzubas, Helen Frankenthaler, Sam Gilliam, Alex Katz, Anish Kapoor, Ellsworth Kelly, Glenn Ligon, Martin Puryear, Sandi Slone, Judith Linhares, Vivien Springford, Kara Walker, Andy Warhol, among many others...emphasizing
"pivotal works that influence a younger generation of contemporary artists”.

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MATERIAL/IMMATERIAL Sandi Slone & Joanna Borkowska Sept 6, 2021 — October 8, 2021, curated by Lilly Wei https://brooklynrail.org/2021/10/artseen/MaterialImmaterial-Joanna-Borkowska-and-Sandi-Slone

The Kosciuszko Foundation, 15 E65 st New York, NY 10065

Exhibition Catalog essay: Lilly Wei

Exhibition Review: https://TheBrooklynRail.Org; (also in print) October, 2021
https://brooklynrail.org/2021/10/artseen/MaterialImmaterial-Joanna-Borkowska-and-Sandi-Slone

Sandi Slone, Body Electric With Multitudes, 2021 Acrylic & polymers on canvas, 48 x 49 in.

SANDI SLONE, BODY ELECTRIC WITH MULTITUDES, 48”x 49”, acrylic polymers/canvas, 2021; duo Exhibition: Material/Immaterial, The Kosciuszko Foundation, NY, NY, 2021 “The paintings of Sandi Slone are bolder and quite different. She employs large brushwork that carries the painting into sweeping visual territory and evokes sudden happenings within the spatial field. Her choice of colors is often a surprise. Like Matisse, for example, Slone’s chromatic combinations frequently leave the viewer wondering: “How did she think of that?” Robert c Morgan, The Brooklyn Rail, OCTOBER 2021.

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Below : SANDI SLONE, Tipping Point featured in the New York Times Feb 27, 2020 review of satellite fair 11 Women Of Spirit currently at Zürcher Gallery NYC, through Armory Fair week.

Sandi Slone, TIPPING POINT, 62” x 48”, acylic and oil on canvas, 2019

SANDI SLONE

 

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Sandi Slone, Mrs Boit’s fuchsia Polka Dot Dress, 24x24”, acrylic/Canvas MULTILAYER VISION 20/20, Museum Wilhelm Morgner, Soëst Germany (10.10.2020— 10.01.2021 traveling in Germany, UK, Hungary )

 

2020—2021 MULTILAYER. Vision 20/20, Museum Wilhelm Morgner, Stiftung Konzepualle Kunst, Soëst Germany and Künstlerhaus, Schloss Puschow; traveling in Germany through 5.09.2022

 

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 The New York Times, Slone Studio, January 20, 2016 staff photographer: Nicole Bengiveno