EVERYTHING EVERYWHERE, 2023, oil, acrylic, gesso on canvas, 30” x 30”
EVERYTHING BUT THE BEAST, 2023, fluid acrylics, mediums, gesso on canvas, 30” x 68”
EVERYTHING BUT THE BEAST Detail
EVERYTHING FORETOLD 2023, oil, acrylic, gesso on canvas, 27”x 27”
MEGALITH FOR MATISSE 2022, oil, acrylic on canvas, 62" x 48"
BODY ELECTRIC WITH MULTITUDES, 2021, fluid acrylics, polymers on canvas, 48” x 49”
BODY ELECTRIC
DREAMING MONDRIAN, acrylic/oil/ canvas, 60” x 48”
AFTER IMAGE, 2022, oil, acrylic, canvas 54” x 108” Private Collection, NY, NY
THE GOLDEN HOUR, 2022, acrylic mediums, fluid pigments, oil on canvas, 55” x 47”
THIS MUST BE THE PLACE, oil, acrylic, gesso on canvas, 40” x 30”
TIPPING POINT, 2019, polymers, acrylic on canvas, 62" x 48"exhibited March 2020, 11 Women of Spirit, Zürcher gallery, LES, New York, NY
TIPPING POINT and PORTRAIT OF MS. BOIT’S FUCHSIA POLKA DOT DRESS,
11 Women of Spirit, Zürcher Gallery, NY, 2019
REAR WINDOW, Thank you Mr Hitchcock (broom painting ) 2018, acrylic and oil on canvas, 55” x 47”
Exhibited: “Summertime” Tibor de Nagy Gallery, NY, 2018
PRECARIOUS PLEASURES, 2022, oil, acrylic , gesso on canvas, 60” x 48”,
TOUCHING TIME, 28”x 22”, acrylic, liquid paint, gesso, polymers , 2023
PORTRAIT IN A CONVEX MIRROR ( for John Ashbury ), 2017, gesso, acrylic, polymer resin on canvas, 44" x 72", private Collection, NY
VIEW FROM VENUS
Everything Studio
Insert Title and Date
PARALLAX, , oil, acrylic, pearl and silver pigments , resin on canvas, 49" x 48", private Collection, Naples, Florida
BUDDHA, (Front And Center) 2016-17, acrylic, polymer resin on canvas, 36" x 30"
Studio, Broom Paintings
IN PRAISE OF SHADOWS, 2014-2018 oil, acrylic on canvas, 20" x 20",, Private Collection, NY, NY
VEILED HEAT , 2016-19, oil, acrylic, metallic pigment, canvas, 62" x 73" exhibited Material/ Immaterial, Kosciuszko Foundation NY, NY Sept 8-October 6, 2021
BLUE SPIRIT MATERIAL ( Shelley Rowing Home To Mary) 2016, poured oil, acrylic, heavy body polymer, pearlescent pigment on canvas, 62" x 62"
MERCURY
MARS VIOLET, poured acrylic, mica, resin on canvas, 63" x 43"
Exhibition Opening MATERIAL/ IMATERIAL, 2021, MARS VIOLET
Installation, solo exhibition, QUICK METTLE RICH BLOOD , Allegra LaViola Gallery NY,
SHOOT THE BLUES THINK BACK INTO THE OCEAN, 2012-2016, oil, acrylic, resin, mica, iridescent pigment/ canvas, 68" x 58"
SHOOT THE BLUES THINK BACK INTO THE OCEAN
Exhibited: A Concentrated Gaze, 1285 Avenue of the Americas Art Gallery UBS , 1285 6th Ave, NYC, April 11-July 1, 2016
SURFACE TO AIR, 62” x 62”
FARTHER OUT, 2012, oil, acrylic, mica, polymer resin on canvas, 62" x 62"
"Verbal attempts to describe Slone's opulent metaphysical paintings, enriched with sweeping sumptuous textures in blazing colors, cannot ever hope to do justice to their sheer grandeur."
— Gigi Kracht, pgs. 62-66, VIEWS Magazine, 2012
MOLTON, 2012 oil,acrylic on canvas 18”x14"
JOY WHISPERS oil, acrylic, polymer resin, mica on canvas, 36" x 36"
Catalogue Essay, Hallucinatory Splendor, solo exhibition LINK
MADAME B (Fathom), 2012, poured oil, acrylic, mica, resin on canvas, 62" x 62"
"Sandi Slone continues her passionate affair with paint's kinetic, sensuous, qualities revisiting some of the unusual processes she developed ..."
—Stephanie Snyder, ARTFORUM.com, December 2020
SPIRIT MATERIAL, 2012, oil, iridescent acrylic, pearl pigment, polymer resin on canvas, 49" x 62", solo exhibit, Sargent’s Daughters, Private collection, NY, NY
WORLDS APART, 2015 oil & acrylic on canvas, 40" x 57", exhibited, The Lonely See And The Sky, Sargent’s Daughters Gallery, NY, 2014, Private Collection, NY, NY
VOSTOK, 25'“ x 85”
FOR ALL THAT, 2014, acrylic & polymer resin on canvas,, 2014, 48" X 62", broom painting
RED LETTER DAY (The Aleph ) 2013, oil, acrylic, polymer on canvas, 76" x 60"
Exhibited : Art In Buildings, 2018, Love Apple Art Space, Ghent, NY, 2018 and at the Fiterman ArtGallery NYNY
RED LETTER DAY (The Aleph), Painting exhibited in 101, Sargent's Daughters, NY, 2014
"Sandi Slone’s Red Letter Day is awash with symbols, and seems more like the cave walls of Lascaux or Le Chauvet. Her paintings are an accretion of visual ideas over time. From the upper right hand corner we read a bright red aleph-like shape, but this visual key presides over a cascade of less discernable but still interpretable signs. Black circles, boxes and ladders fall away from the aleph into a rosy and grey miasma. Eros (2009) uses a similar figure ground typology, a single brushstroke with six dangling pods looms over a washy fade from light blue to yellow, like some forgotten gesture to call up a goddess." - Artcritical.com
The NEW YORK TIMES, January 20, 2014, staff photographer: Nicole Bengiveno. Red Letter Day (The Aleph) 76” x 60” exhibited: Painting 101, Sargent's Daughters, Gallery New York, NY, 2013 , Material Way, Fiterman Art Center, BMCC-CUNY, New York, NY, 2014, Art In Buildings, Love Apple Art Space, Ghent, NY, 2018
Review; ARTCRITICAL, LINK,
ART IN BUILDINGS , 2018
“I still think painting is the great unknown, a parallel universe” ( in conversation with Jennie Lamensdorf) Even though Sandi Slone has often worked with oversized brushes—an early series of abstract paintings made with large brooms established her reputation as a young painter — she long has had a predilection for intimate gestures and unexpected incidents that signal her preoccupation with visual strategies as metaphors for everything from the materiality and sensuousness of color and light that impact landscape memory and the body, to the current state of our fraught planet. There has always been a sense of the hand, of calligraphic gestures and shapes, that explore the language of contemporary abstraction with its wide ranging references as much as her sweeping swaths of paint and thick transparent pours do—extending the conversation around modernism and what came after.
PORTRAIT OF MS. BOIT’S FUCHSIA POLKA DOT DRESS, 2014, acrylic, gesso, polymer/canvas, 20" x 20"
Exhibited: 40 Female Artists Explore The Legacy of John Singer Sargent, Sargent's Daughters Gallery, New York, 2014,
WHITE ON THE MAP, acrylic, molding paste on canvas, 24" x 20", exhibited: Painting 101, Sargent's Daughters, 2014
Featured in INTERVIEW MAGAZINE, LINK
BLUE HOLDS RED, (LUMEN) 18" x14", acrylic, polymers, on canvas, 2017
MIDNIGHT RIVER, 28" x 22", oil, acrylic /canvas exhibited Lower Manhattan Cultural Council 2017, sold Private Collection, NY
ELYSIUM, 2014, 20" x 16", acrylic on canvas
THE IDEA OF THE SEA, 2014, acrylic polymer on canvas, 30" x 36", exhibited: The Lonely Sea And The Sky, Sargents Daughters Gallery, Private collection New York
INSOMNIA (for Louise Bourgeois) 2013, acrylic, molding paste on canvas, 18" x 14", exhibited Painting 101, Sargent’s Daughters
FATHOM, oil, acrylic and mica on canvas
34" x 68", PAINTING 101
CASCADE, gloss medium, molding paste, fluid acrylics, and polymer medium on canvas, 33" x 66"
TRIPPING ON THE GREAT WALL, 72” x 44”, 2017
