THE GOLDEN HOUR, 2024, acrylic mediums, fluid pigments, oil on canvas, 55” x 47”
TIPPING POINT, 2019, polymers, acrylic on canvas, 62" x 48"
REAR WINDOW, Thank you Mr Hitchcock (broom painting ), 2018, acrylic and oil on canvas, 55” x 47”
Exhibited: “Summertime” Tibor de Nagy Gallery, NY
MEGALITH FOR MATISSE 2021, oil, acrylic on canvas, 62" x 48"
AFTER IMAGE , 2023, oil, acrylic, gesso on canvas, 48” x 109”, commissioned collection NY
BODY ELECTRIC WITH MULTITUDES, 2021, fluid acrylics, polymers on canvas, 48” x 49”
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OUT OF THE SKY, 2024, fluid acrylics, polymers on canvas, 18” x 18”
ODYSSY 2025, oil, acrylic, gesso on canvas, 30” x 68”
FOREVER ROSE, 2025, oil, acrylic, and gesso on canvas, 18” x 18”
WET GREEN VALLEY, 2024 44” x 72”, acrylic, oil , canvas
EVERYTHING FORETOLD, 2024, oil, acrylic, gesso on canvas, 30”x 30”
VOSTOK THE BIG YELLOW, 2015, acrylic and polymers on canvas
IN PRAISE OF SHADOWS, 2014-2018 oil, acrylic on canvas, 20" x 20", Private Collection, NY, NY
BLUE GREEN MONUMENT, 2019 acrylic/oil/ canvas, 60” x 48”
VIEW FROM VENUS, 2023 62 “x 48”, oil, acrylic/canvas
WHAT THE WIND WAS DOING, 30” x 33”x 4”, poured acrylic/oil on wood panel
PORTRAIT IN A CONVEX MIRROR ( for John Ashbury ), 2017, gesso, acrylic, polymer resin on canvas, 44" x 72", Private Collection, NY
PORTRAIT OF MS. BOIT’S FUCHSIA POLKA DOT DRESS, 2014, acrylic, gesso, polymer/canvas, 20" x 20"
Exhibited: 40 Female Artists Explore The Legacy of John Singer Sargent, Sargent's Daughters Gallery, New York
TIPPING POINT and PORTRAIT OF Mrs BOIT’S FUCHSIA POLKA DOT DRESS, FEATURED:New York Times, Feb 27, 2020
VEILED HEAT , 2016-19, oil, acrylic, metallic pigment, canvas, 62" x 73" exhibited Material/ Immaterial, Kosciuszko Foundation NY, NY Sept 8-October 6, 2021
Shelley Rowing Home To Mary 2022 poured oil, acrylic, heavy body polymer, pearlescent pigment on canvas, 62" x 62"
MARS VIOLET, 2012 -2021 poured acrylic, mica, resin on canvas, 63" x 43"
Exhibition Opening MATERIAL/ IMATERIAL, 2021, MARS VIOLET
Installation, solo exhibition, QUICK METTLE RICH BLOOD, Allegra LaViola Gallery NYC, 2012
SHOOT THE BLUES , 2012-2016, oil, acrylic, resin, mica, iridescent pigment/ canvas, 68" x 58"
SHOOT THE BLUES , 2016
Exhibited: A Concentrated Gaze, 1285 Avenue of the Americas Art Gallery UBS , 1285 6th Ave, NYC, April 11-July 1, 2016
PARALLAX, 2019, oil, acrylic, pearl and silver pigments on canvas, 49" x 48", Private Collection, Naples, Florida
"Verbal attempts to describe Slone's opulent metaphysical paintings, enriched with sweeping sumptuous textures in blazing colors, cannot ever hope to do justice to their sheer grandeur."
— Gigi Kracht, pgs. 62-66, VIEWS Magazine, 2012
GREAT WALL, 2026, acrylic on canvas, 65” x 32”
SPIRIT and MATERIAL, 2012, oil, iridescent acrylic, pearl pigment, polymer resin on canvas, 49" x 62", Private Collection, NY, NY
JOY WHISPERS, 2012, oil, acrylic, polymer resin, mica on canvas, 36" x 36"
Catalogue Essay, Hallucinatory Splendor, Sargents daughters, solo exhibition LINK
RISE-UP, 2017, acrylic , gesso on canvas, 74.5” x 64.5”
My candle burns at both ends, it will not last the night, but ah my foes, and oh my friends—it gives a lovely light 2024 oil, acrylic, gesso on canvas, 30” x 30”
YOU COULD SEE TIME, 2023, oil, acrylic, gesso on canvas, 27” x 27”
WORLDS APART, 2015 oil & acrylic on canvas, 40" x 57", exhibited, The Lonely See And The Sky, Sargent’s Daughters Gallery, NY, 2014, Private Collection, NY, NY
WAVES ON THE WALL, 2013, acrylic & polymer resin on canvas, 48" X 62", broom painting
RED LETTER DAY (The Aleph ) 2013, oil, acrylic, polymer on canvas, 76" x 60"
Exhibited : Art In Buildings, 2018, Love Apple Art Space, Ghent, NY, 2018 and at the Fiterman Art Gallery, NY NY
RED LETTER DAY (The Aleph), Painting exhibited in 101, Sargent's Daughters, NY, 2014
"Sandi Slone’s Red Letter Day is awash with symbols, and seems more like the cave walls of Lascaux or Le Chauvet. Her paintings are an accretion of visual ideas over time. From the upper right hand corner we read a bright red aleph-like shape, but this visual key presides over a cascade of less discernable but still interpretable signs. Black circles, boxes and ladders fall away from the aleph into a rosy and grey miasma. Eros (2009) uses a similar figure ground typology, a single brushstroke with six dangling pods looms over a washy fade from light blue to yellow, like some forgotten gesture to call up a goddess." - Artcritical.com
ART IN BUILDINGS , 2018
“I still think painting is the great unknown, a parallel universe” ( in conversation with Jennie Lamensdorf) Even though Sandi Slone has often worked with oversized brushes—an early series of abstract paintings made with large brooms established her reputation as a young painter — she long has had a predilection for intimate gestures and unexpected incidents that signal her preoccupation with visual strategies as metaphors for everything from the materiality and sensuousness of color and light that impact landscape memory and the body, to the current state of our fraught planet. There has always been a sense of the hand, of calligraphic gestures and shapes, that explore the language of contemporary abstraction with its wide ranging references as much as her sweeping swaths of paint and thick transparent pours do—extending the conversation around modernism and what came after.
The NEW YORK TIMES, January 20, 2014, staff photographer: Nicole Bengiveno. Red Letter Day (The Aleph) 76” x 60” exhibited: Painting 101, Sargent's Daughters, Gallery New York, NY, 2013 , Material Way, Fiterman Art Center, BMCC-CUNY, New York, NY, 2014, Art In Buildings, Love Apple Art Space, Ghent, NY, 2018
Review; ARTCRITICAL, LINK,
FATHOM, 2014 oil, acrylic and mica on canvas, 34" x 68",
CASCADE, 2020 33” x 66” gloss medium, molding paste, fluid acrylics, and polymer medium on canvas
DEVINE DIAMETER , 48 x 48’’, diameter, acrylic/oil , thick polymers on canvas, / 2019
RIDING THE WIND, 63” x 74” 1979 acrylic and various polymers on canvas
PUSH AND PULL, 2023, acrylic, oil on canvas, 28” x 22”
EDGES, 2024 oil, acrylic, gesso on canvas, 40” x 30”
ROUGH RED, 2013, acrylic on canvas, with particles
TRIPPING ON THE GREAT WALL, 72” x 44”